Archive for the 'Country' Category

What I’m Listening to Tonight: Death Cab for Cutie’s Narrow Stairs

Death Cab for Cutie is absolutely one of my favorite bands — and I say this after having been ridiculed for that fact just the other day. My friend S., upon checking out what I had put on the iPod in the car, gave me a brutal Nelson Munz impersonation: “HAH hah. YOU like Death Cab for CUTIE!” I was all, “OH YES I DO AND YOU HAD BETTER BELIEVE IT ETCETERA!”

I honestly fail to see what is ridiculous about liking Death Cab for Cutie. Yes, they are one of those Sensitive Guy Bands, à la Iron and Wine or Ryan Adams, but hey, those are artists I also love. Death Cab for Cutie I love with a fucking passion. I had always liked them and listened to them frequently and with great pleasure, but Plans, their first major-label album, really sealed the deal for me. I get that hard-core fans who have all the early stuff on cassette tape may quibble with me on that one, but I wholeheartedly believe Plans is a brilliant fucking album. Furthermore, it was released at the absolutely perfect time for it to weave its way seamlessly into my consciousness — the songs on that album seemed like they had been written specifically for that year of my life, and I kept the album on repeat for a good 12-18 months. For real.

It would be a lie to tell you that I did not await the release of the new album, Narrow Stairs, with literally bated breath. I really, literally, held my breath while it was downloading; I was that excited. In fact, I couldn’t really wait for the real release date, so I managed to obtain it early and through questionable means (but means encouraged by the band, so).

The album is really fucking great. It’s a bit louder and grittier and darker, over all, than what they have done before, which I love. It’s complex and exhilarating and completely addictive. Go get it now (or wait until May 13th if you’re all law abidin’ and a total prude, whatever), and just try to turn it off, I dare you.

Here are a few tracks I am liking best so far, the last one being my favorite of the day.

Bixby Canyon Bridge


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Your New Twin Sized Bed


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Talking Bird


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Long Division


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What I’m Listening To Tonight: Camper Van Beethoven

Yeah, yeah, I know it is not even nighttime, so I probably shouldn’t be posting a “What I’m Listening to Tonight” entry, but let’s face it: it is my office hours and I am stuck on campus, so I might as well be doing something productive. Rather than research or grading, I think my time could better be spent telling you all about how much I have been loving some Camper Van Beethoven lately and giving you a few tracks to listen to. This is what I have been listening to for the past several days — ever since my friend S. and I decided to put on an album of theirs on the way home from the local music show on Saturday.

I started listening to Camper Van Beethoven in high school and have loved them ever since. I like them oodles better than Cracker, by the way, for their sort of quiet-but-unabashed weirdness. Here are a few tracks from the album Camper Vantiquities, a rarities collection that has some truly wonderful songs not heard elsewhere, including the song my heart dedicates to my students each and every day, “(We Workers Do Not Understand Postmodern Art).” Here are my favorites (try to guess which one was my predictable angsty teenage anthem*):

Axe Murderer Song


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I’m Not Like Everybody Else


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Photograph


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My favorite regular Camper Van album was always Our Beloved Revolutionary Sweetheart, the title of which is a reference to Patty Hearst. Here’s the Hearst-related song plus two other favorites (the last one is the best of all):

Tania


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Eye of Fatima, Pt. 1


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She Divines Water


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*Which was not, ironically, Cracker’s “Teen Angst.” Heh.

Local Music, Ahoy!

This weekend, my friend S. dragged me out to the country, in spite of my grouchy and anti-social end-of-semester funk, to see a bunch of local bands. I am quite happy that she succeeded in getting my cranky ass up off the couch, because we had a great time!

It’s the first time I have gone to see any local music on purpose since moving to New Wye — many times I’ve caught a local band or two at the bar when happy hour wound up lasting into the later parts of the evening, but in those cases the bands were just a noisy nuisance, too loud in a too-empty bar, preventing us from gossiping with the ease we ladies normally require.

This time, we drove out to the country (The country, people! Way out in that country!) to a little warehouse in the middle of nowhere. Well, they call it a warehouse, but basically it was a barn. There were lots of dogs, and the refreshments were a brown-bag affair. We brought some sangria, and other people were passing around cases of PBR and selling ribs out front. Like I said, country.

The music was really, really good, though. There was (in my opinion) an over-abundance of washboards, but there were also more useful traditional instruments, like mandolins, banjos, washtub basses, harmonicas, accordions, and many guitars.

Do I also need to mention the cute boys? Well, I guess I just mentioned them. I now have a raging crush on a washtub bass player who had his hair done up in a bun with chopsticks. Normally those three things (washtub bass! long hair! chopsticks in a bun!) would be mercilessly mocked by me, but let me tell you this dude was working it. My friend said his singing was “like a New Orleans ghost,” which strikes me as about right.

The whole evening was rather rejuvenating, in that way that happens whenever I find a local bar where no one is wearing khaki, or, say, when I see a person with a mohawk. These things lift my spirits. Needless to say, a whole barn full of weirdos getting down to hillbilly-punk music* pretty much made my week.

*Dude, I have no idea how to describe this music. I would just call it what the one band calls it, but it involves a description that’s a little too geographically specific for this anonymous blog. If you know me and are interested, email me and I’ll send you the band’s link.

What I’m Listening to Tonight: Willie Nelson - The Rainbow Connection

Willie Nelson is one of the greatest, and if you don’t admit that, there’s something wrong with you. For some reason, though, I find this album full of children’s music (and some grown-up tunes, too) to be strangely and especially wonderful. Just try to listen to this song without crying.


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